Whenever I’m channel surfing, I often find myself stumbling into a film midway through it’s running time, and tend to stick around if there’s elements that pique my curiosity and just catch my eye etc. My Girl 2, of all films, was one of them this time around.
A line about “barbaric customs” or roundabouts prompted me to pick up my drawing kit...and here we are!
When you find a mondegreen in one of your favourite Magnetic Fields songs and it sets off your creativity...
Can’t be only one mishearing things here? Stephin Merritt sure knew how to mumble back in the ‘90s, that’s for certain: https://youtu.be/UGNKhVJbDM8
I was practicing anatomy and trying out different body types when I thought this doodle of an OC of mine with a chubbier body type came out better so I decided to render it and came up with this. I'm not a gooner y'all I swear
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
This is another dragon. They're the Bringer of Great Destiny, and basically tell you you're destined for good things. It was designed by my sibling, and this is a redesign I made. Sorry that it's hard to see. My camera is bad and my house is dark.
A portrait of everyday power. This hammer isn’t just a tool—it’s a symbol of the work ethic that built me, the late nights, the factory shifts, and the determination behind every canvas. Graphite, grit, and precision shading bring out every dent and edge. Simple object, serious presence.
